Gwiwer Avedisyan ( Mgr. Marie Jenov\u00e9fa Ita Ku\u010derov\u00e1, OblSB, DiS. is her real name) is classical pianist, tradition-fusion singer and multi-instrumentalist. She likes to perform in non-traditional spaces as houses for elderly people, schools, caf\u00e9s, clubs, weddings, churches (Prague, CZ), places for people with special needs (Prague, Villa Vallilla \u2013 CZ, Arche Caillou Blanc \u2013 FR, Camphill Kyle \u2013 IRL), hotel Shirak (Yerevan, ARM). With traverse flute she played Czech folklore in group Maten\u00edk and participated in Tredagar house festival in Newport, Wales. Later, she was member of Celtic group M\u011bstsk\u00e1, where she played also flute and travelled around Czech Republic to play in different festivals and clubs.<\/p>\n
Between 1999 and 2016 she travelled a lot around Europe. Her aim was helping and volunteering in Camphill (England \u2013 Sturts farm, Scotland \u2013 Corbenic, Ireland \u2013 Kyle) and Arche (Arche de la Val\u00e9e, Moulin d\u00b4Auro, Caillou Blanc \u2013 France) organisations with people with special needs. There she played music for them. With Czech organisation Brontosaurus she did volunteering in Banat-Romania to help in agriculture domain. Her dream to visit Armenia happened in 2015, in 100 years birthday of Genocide, when she received a scholarship to Spjurkh Amadajin Dproc\u00b4 – Diaspora Summer School of Armenian language.<\/p>\n
Gwiwer Avedisyan studied piano and musicology in Prague (Elementary Music School \u2013 A. Kukalov\u00e1, K. Mart\u00ednek, Prague Conservatory \u2013 prof. E. Boguniov\u00e1, Academy of music \u2013 prof. F. Mal\u00fd, Charles University-Musicology). She worked also with prof. P. Jasmin and A. Koujoumdjyan in Masterclasses in T\u00fdn n. S\u00e1zavou, CZ. Several times, she attended Crescendo Summer institut in S\u00e1rospatak, HU. In studies years, Gwiwer proceeded usual pianistic repertoire reaching from Bach to recent days. Her favourites are Bach, Brahms, Jan\u00e1\u010dek and she specialized in Czech and Armenian music.<\/p>\n
Flutes, singing and Celtic harp are additional musical materials to complete Gwiwer\u00b4s interest. Besides traverse flute, she plays soprano and alto recorder, Penny whistle and Armenian shvi. With these instruments she plays Celtic music, Armenian ashugner music, and Czech and Slovak folksongs.<\/p>\n
She tried several singing classic method teachers, but most sufficient method she found in Werbeck singing method, which she studied with J. \u0160indel\u00e1\u0159ov\u00e1, M. Mikulic and Ch. Boele. She sings folklore songs (Armenian, Celtic, Gipsy, and Czechoslovak) and Gregorian chant in Roudnice Monastery.<\/p>\n
In 2014 she started to compose her own musical compositions for piano and songs. The style of these compositions is a bit minimalistic and between classical music and song writing.<\/p>\n
Since 2017, she would like to settle down in Czech Republic, to concentrate on composing music and be part of amazing Creation\u2026<\/p>\n
In composition, she is self-taught. She attended some consultations with composers Milo\u0161 Orson \u0160t\u011bdro\u0148, Beata Hlavenkov\u00e1, P\u00e9ter Tornyai.<\/p>\n
Beside music, G. Avedisyan likes visual arts creating. She attended seminar of aquarel painting with Marie Ladrov\u00e1 https:\/\/marieladrova.com\/<\/a> <\/p>\n and other workshops in Atelier Montmartre (Prague) and in Academy Tabor (Artetherapy, Prague); seminar of illuminations workshop with Monika Anna Moravcov\u00e1 https:\/\/www.artmoravcova.cz\/<\/a><\/p>\n Curently (2026), she is learning kokle playing (Latvian music instrument) and is composing other natural piano\/flute album.<\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" Gwiwer Avedisyan ( Mgr. Marie Jenov\u00e9fa Ita Ku\u010derov\u00e1, OblSB, DiS. is her real name) is classical pianist, tradition-fusion singer and multi-instrumentalist. She likes to perform in non-traditional spaces as houses for elderly people, schools, caf\u00e9s, clubs, weddings, churches (Prague, CZ), places for people with special Read More …<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-12","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/gwiwer.org\/index.php?rest_route=\/wp\/v2\/pages\/12","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gwiwer.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/gwiwer.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/gwiwer.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gwiwer.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12"}],"version-history":[{"count":9,"href":"https:\/\/gwiwer.org\/index.php?rest_route=\/wp\/v2\/pages\/12\/revisions"}],"predecessor-version":[{"id":268,"href":"https:\/\/gwiwer.org\/index.php?rest_route=\/wp\/v2\/pages\/12\/revisions\/268"}],"wp:attachment":[{"href":"https:\/\/gwiwer.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}